Every platform wants something slightly different: a different length, a different crop, a different first three seconds. We shoot once and cut for each one, so you stop reposting the same video everywhere and wondering why only one of them works.
This is the whole model. We reverse-engineer the shoot from your posting calendar, so the day produces a backlog across every platform instead of one video and a folder of leftovers.
A TikTok that works will underperform as a Reel, and neither one belongs on a YouTube channel without a rebuild. Here's what we actually hand you for each.
The grid still has to look like a brand, so the Reels and the carousels get made together, from one shoot, in one palette.
Covers and captions delivered with the files, so posting is drag, drop, paste.
Native-looking, not repurposed. Shot handheld, cut fast, and written so the first line is a reason to stay.
Rush cuts available in 48 hours when you need to catch something moving.
The only platform where the long version earns its keep — and where a thumbnail decides whether any of it gets watched.
Captions supplied as .SRT so the channel stays searchable and accessible.
Still where a lot of local money is, and still the platform most brands post to last. We treat it as its own audience, because it is one.
Most Facebook video is watched muted — every cut is built to land without audio.
Pick the one that matches what you're trying to move. Every one of them produces vertical cuts, stills and captions from the same day on site.
Scripted hooks, a shot list built from what's already performed for you, and a batch of verticals cut, captioned and named by posting week.
Teleprompter or interview-led. Twelve topics in an afternoon, each becoming a Reel, a Short, a TikTok and a LinkedIn post.
Macro, slider and 120fps detail plus matching stills on white and in situ. Built to work with the sound off and a thumb hovering.
Team, space, product and process in one pass — enough frames to carry the carousels, the website, the deck and the job listings for a year.
Same-day verticals pushed to your phone during the event, a recap cut inside 72 hours, and a full gallery for the follow-up email.
A standing shoot day, a shared content calendar and a rolling library. Start with one sprint, then move to a retainer when the posting rhythm sticks.
We frame for 9:16 on set with the safe zone taped out, so captions and platform UI never land on a face. Switch the crop — all of these ship from the same take.
GMC Canyon — golden hour
GMC Canyon — grille detail
GMC Canyon — palm drive
GMC Sierra Denali — roll-by
GMC Terrain — front detail
GMC truck — dirt road
GMC Sierra 2500 — oak alley
GMC Sierra 1500 — lakefront
Buick — walkaround
Buick — wheel detail
A photographer works the set while we shoot video, so the carousels, the covers and the website all carry one look. You get a contact sheet, you circle what you love, we finish those.
The order matters, so here it is in order. These are the timings we hold to on a single-location content day.
We look at what you've posted, what performed, and what you're selling next quarter. You leave with a content plan, not a mood board.
Every cut gets a written hook before we shoot it. You approve the list — topics, wardrobe, locations, and which platform each one is for — a week ahead.
Six to eight hours on site. Video and stills run together, safe zones taped, and you see a rough vertical on the monitor before we move on.
Cut per platform with burned-in captions and three hook variants each; stills culled to a contact sheet for you to circle.
Files named for the week they go live, sorted by platform, captions in a doc. Drag, drop, post. Two rounds of notes included.
Same shooters, same cameras, same color pipeline. What changes is crew size, how much paperwork sits in front of the shoot, and how many places we have to be.
2 people. Shooter-director plus a photographer. We fit behind your counter.
4–8 plus producer. Two camera ops, photographer, sound, gaffer, on-site producer.
One call, a hook list, a shot list.
Content calendar, scripts, legal review, talent releases, stakeholder sign-off.
One content day, one location.
Multi-day, multi-site, travel crew, union-friendly when required.
18 cuts across four platforms, 50 stills, six weeks of posts.
40+ cuts, paid variants, full photo library, tagged and rights-cleared archive.
~2 weeks from shoot to posting folder.
3–4 weeks, with first cuts inside of seven days.
Simple agreement, standard COI, releases signed on site.
COI to your limits, W-9, vendor onboarding, NDA, MSA, PO billing.
Everything arrives in one folder: a subfolder per platform, files named for the week they post, captions in a doc beside them. No chasing files, no re-exporting a vertical because someone forgot.
Answer four things and we'll shape the brief for you. Hit send and we'll come back with a range and two possible dates — usually the same day.